} } display:-ms-flexbox; text-overflow:ellipsis; max-width:calc(100% - 32px); } .post-filter-message .message-container{ background-attachment:scroll; .share-buttons li:last-child{ bottom:0; align-self:center; padding-bottom:0 } -ms-flex:1 1 auto; display:-ms-flexbox; #commentsHolder{ body#layout .page_body{ This latter-era, carved-top, carved-back, round-hole Gibson L-4 looks like a war buddy and sounds wonderful. display:-webkit-flex; display:inline margin-left:8px } margin:-8px flex-wrap:wrap; } 1929 Gibson L-4 Serial #89021. border-radius:50% } } margin:50px 0 0 0 } here. float:none } .post-body a[imageanchor="1"]{ .touch-icon:active,.touch-icon:focus{ display:none display:none From Japan +C $240.22 shipping. } #page_list_top .widget.PageList .overflowable-contents{ .search form{ -ms-flex:1 0 auto; z-index:101 width:426px position:absolute; font-size:16px; margin:0; display:block; left:0; background-color:#ffeaa5; } .hamburger-menu-container{ } transition-property:transform; pointer-events:none #comments .comment .comment-replybox-single,#comments .comment-thread .comment-replies{ .skip-navigation:focus{ max-width:100% } color:transparent; margin:8px auto 16px auto; .extendable .remaining-items.expanded{ transform:rotate(0) cursor:pointer; transform:translateX(-353px) padding:0; .subscribe-popup .FollowByEmail h3{ color:#000000 width:35px display:-webkit-box; Built on the same forms as the 20's L-5, the f-hole L-4 differed only in cosmetics from its costly cousin. flex:1 1 auto; -ms-flex-wrap:wrap; html[dir=ltr] .sidebar-container{ } While not "right," these later Gibson-branded Kluson-style tuners work just fine. margin-left:48px body{ color:#4e884a; -webkit-box-pack:justify; float: right; } } float: left; right:auto } line-height:24px .link-copied-dialog .modal-dialog-buttons{ display:-ms-flexbox; Top part of the soundboard over the hole 11.5 ’lenght, bottom part below the hole 16 ’ lenght. -webkit-justify-content:space-between; cursor:pointer; #page_list_top .widget.PageList .overflowable-contents li.hidden{ content:'\2014' } The Gibson L-4 has the distinction of being the longest running model in company history. background:0 0 -webkit-box-pack:justify; body.item-view .post-body a[imageanchor="1"]{ .dialog input[type=submit]{ transition-property:transform,opacity; width:426px } fill:#000000 left:0; .back-button-container,.hamburger-menu-container{ } border-radius:50% font:normal bold 42px Copse text-decoration:none } .search-expand-text{ .widget.Label li,.widget.Label span.label-size{ } margin-top:auto display:-webkit-flex; background-color:rgba(0,0,0,.54); Fort Lauderdale, FL, United States. } outline:0; padding:0 16px; animation:mspin-singlecolor-large-film 1333ms infinite steps(81); background:-webkit-linear-gradient(left,#ffeaa5 0,#ffeaa5 20%,rgba(255, 234, 165, 0) 100%); .search.focused form>*{ } display:-ms-flexbox; body{ } .dialog input.no-cursor{ Previously Sold instruments may by found } display:-webkit-box; neck, solid figured maple back and sides, Brazilian rosewood fingerboard, .share-buttons li .platform-sharing-text{ margin-bottom:0 display:flex } normalize.css v3.0.1 | MIT License | git.io/normalize */html{font-family:sans-serif;-ms-text-size-adjust:100%;-webkit-text-size-adjust:100%}body{margin:0}article,aside,details,figcaption,figure,footer,header,hgroup,main,nav,section,summary{display:block}audio,canvas,progress,video{display:inline-block;vertical-align:baseline}audio:not([controls]){display:none;height:0}[hidden],template{display:none}a{background:transparent}a:active,a:hover{outline:0}abbr[title]{border-bottom:1px dotted}b,strong{font-weight:bold}dfn{font-style:italic}h1{font-size:2em;margin:.67em 0}mark{background:#ff0;color:#000}small{font-size:80%}sub,sup{font-size:75%;line-height:0;position:relative;vertical-align:baseline}sup{top:-0.5em}sub{bottom:-0.25em}img{border:0}svg:not(:root){overflow:hidden}figure{margin:1em 40px}hr{-moz-box-sizing:content-box;box-sizing:content-box;height:0}pre{overflow:auto}code,kbd,pre,samp{font-family:monospace,monospace;font-size:1em}button,input,optgroup,select,textarea{color:inherit;font:inherit;margin:0}button{overflow:visible}button,select{text-transform:none}button,html input[type="button"],input[type="reset"],input[type="submit"]{-webkit-appearance:button;cursor:pointer}button[disabled],html input[disabled]{cursor:default}button::-moz-focus-inner,input::-moz-focus-inner{border:0;padding:0}input{line-height:normal}input[type="checkbox"],input[type="radio"]{box-sizing:border-box;padding:0}input[type="number"]::-webkit-inner-spin-button,input[type="number"]::-webkit-outer-spin-button{height:auto}input[type="search"]{-webkit-appearance:textfield;-moz-box-sizing:content-box;-webkit-box-sizing:content-box;box-sizing:content-box}input[type="search"]::-webkit-search-cancel-button,input[type="search"]::-webkit-search-decoration{-webkit-appearance:none}fieldset{border:1px solid #c0c0c0;margin:0 2px;padding:.35em .625em .75em}legend{border:0;padding:0}textarea{overflow:auto}optgroup{font-weight:bold}table{border-collapse:collapse;border-spacing:0}td,th{padding:0} body.item-view .widget.Blog .blog-posts .post-outer-container{ cursor:default; } } background-color:#70af68; -webkit-box-ordinal-group:2; Introduced in 1912 with an oval sound hole, the L-4 has remained in production in various permutations to this day, with a brief hiatus in the 70's and early 80's. font:normal bold 16px Arvo; } } color:#000000; So we have here a great example of Gibson in transition....an oval L-4 with modern features. padding-left:353px margin-top:24px; min-height:100vh order:4 body.item-view .widget.Blog .blog-posts .post-outer{ } flex:0 0 auto; display:inline; #comments .comment .comment{ margin-right:36px; The neck was replaced by Gibson around 1938, giving the guitar a round heel… height:100%; had Nick Lucas fingerboards -- I got this one long ago at a flea market. -webkit-flex:0 0 auto; background-color:#f7f7f7; line-height:24px; margin:0 12px; Jan 2, 2014 - Gibson L-4 Archtop Acoustic Guitar, Vintage 1926 Round-Hole Archtop Rare Snakehead Model Excellent, Fully Original Condition Best Sounding Example .collapsible-title .chevron-down,.collapsible[open] .collapsible-title .chevron-up{ In the early 1900s, a 13 1 /2″ guitar was not considered small. } font:normal bold 16px Arvo; } } * Name: Soho max-width:100% border-radius:50%; flex-wrap:nowrap; -webkit-box-flex:1; padding:8px If this instrument } display:inline-block margin:0; width:24px; height:1px; font-weight:700; display:inline-block line-height:0 -webkit-justify-content:space-between; height:auto outline:0 opacity:.3 .post-title{ } #comments.embed[data-num-comments="0"] #comment-post-message,#comments.embed[data-num-comments="0"] div.comment-form>p,#comments.embed[data-num-comments="0"] p.comment-footer{ } top:0 -webkit-box-pack:justify; content:')' Please ask for permission before reuse but feel free to share. text-overflow:ellipsis; word-wrap:break-word padding-top:12px margin:0; padding:7px; width: 70px; -ms-flex:1 1 auto; padding:40px; The L-4's top changed radically in 1935 when, under the direction of the company's famed designer Lloyd Loar, the round sound hole was replaced by a pair of f-holes to enhance tone and projection. opacity:.3 font:normal bold 20px Arvo background-size:cover; Joe (six one five-nine two two-eight zero three zero) NO TRADES< NO OFFERS< NO TEXT< NO MESSAGES< NO EXCEPTIONSThe L-4 was developed as a louder, bolder update of Gibson' popular L-1 and L-3 designs, advertised as a œgrand concert size … color:#000000; .BlogArchive .post-count,.Label .label-count{ display:-ms-flexbox; } .loading-spinner-large>div{ -ms-flex-direction:column; background:0 0; Add to Cart. .subscribe-popup div.widget.FollowByEmail .follow-by-email-address{ .blogger-logo,.svg-icon-24.blogger-logo{ .centered-top-placeholder.cloned .search form{ right:auto } .subscribe-button{ .search-expand-icon{ } .search{ } .dialog input[type=email]::-webkit-input-placeholder,.dialog input[type=text]::-webkit-input-placeholder{ line-height:40px; -webkit-transition-duration:.3s; flex:0 0 auto; fill:#000000; .widget.Profile .individual .profile-link,.widget.Profile .team .visit-profile{ -ms-flex-pack:justify; margin-top:20px; margin:0; } -webkit-box-orient:vertical; height:1px; margin:0; margin:1em 0 0 0 } -webkit-flex:1 1 auto; .sidebar-container .widget ul{ margin:0 auto } } height:auto; background-attachment:scroll!important padding:65px max-width:100% } border:0; -ms-flex-order:4; .adsbygoogle{ .post-sidebar-item{ -ms-flex-order:0; height:auto; } .centered-top{ } max-height:166.6px; font:normal bold 16px Arvo .collapsed-header .centered-top-container .search-action,.collapsed-header .centered-top-container .search-input input{ .blog-name{ font-style:italic; width: 40%; flex:1 1 auto } } text-shadow:0 0 0 #000000 color:#000000 margin:0; display:none max-height:326.4px line-height:24px; justify-content:space-between; border:0; } .share-buttons li .sharing-platform-button:focus,.share-buttons li .sharing-platform-button:hover{ html[dir=ltr] .sidebar-container.sidebar-invisible{ } .post-filter-message{ margin:0; $3,995. } text-transform:uppercase; text-transform:none } } line-height:40px overflow:hidden margin-left:56px Many folks feel that Gibson never surpassed the classic lines and -ms-flex:0 0 auto; font-weight:700; -webkit-box-ordinal-group:2; } } background:0 0; -ms-flex:1 1 auto; .collapsible[open]>:not(summary){ .widget.Blog .blog-posts .post-outer-container{ Materials: Handcarved bookmatched solid spruce top; solid mahogany display:inline-block transform:rotate(-360deg) #page_list_top .widget.PageList .overflowable-contents li{ left:0; border:0; outline:0 .snippet-container{ margin-top:50px display:none; width:100% } #comments .comment .comment-body,#comments .comment .comment-content{ } fill:#000000; } } } body#layout .navigation{ .widget.Attribution,.widget.Attribution .copyright,.widget.Attribution .copyright a,.widget.Attribution .image-attribution,.widget.Attribution .image-attribution a,.widget.Attribution a{ position:fixed; flex:0 0 auto; width:24px } color:#000000; .snippet-thumbnail img{ flex:0 1 auto } order:2; -ms-flex-pack:justify; } } } } } At just 4lb. Buy It Now. outline:0; } padding-left:0; text-decoration:none; -webkit-box-align:center; padding-bottom:7px; background-color:rgba(153,153,153,.4); box-shadow:0 4px 5px 0 rgba(0,0,0,.14),0 1px 10px 0 rgba(0,0,0,.12),0 2px 4px -1px rgba(0,0,0,.2); background:0 0; .share-buttons li{ -ms-flex-order:3; The model changed again when F-holes were introduced in 1933, before the L-4 eventually morphed into an electric archtop as the L-4CES starting in 1958. top:0 .post-body img{ } body.feed-view .widget.Blog .blog-posts .post-outer-container,body.item-view .widget.Blog .blog-posts .post-outer{ font:normal normal 14px Copse overflow-y:auto; -webkit-flex:0 1 auto; .search-expand{ outline:0; Top Rated Seller Top Rated Seller. body.item-view .widget.Blog .post { -ms-flex:1 1 auto; } -webkit-animation:mspin-singlecolor-large-film 1333ms infinite steps(81); .byline{ } } Los Angeles, CA, United States. #comments .comment-thread .thread-count{ } } margin-bottom:50px -webkit-flex-direction:column; } display:block .Profile .default-avatar-wrapper .avatar-icon{ } max-width:100% font-style:normal; .sidebar-container .widget.Profile .individual dd{ The combination of H style bracing, round soundhole, and carved top and back gives this instrument a very distinctive tone. line-height:50px; -webkit-flex:1 0 auto; #comments .comment .thread-expanded .comment-block{ .adsbygoogle{ .sticky .blog-name{ The second has an early 1930 serial number and is an example of a typical round soundhole L-4 model that replaced the oval hole design in 1929. position:absolute; } font:normal normal 16px Arvo #page_list_top .widget.PageList{ } .main .widget .title{ .widget.Profile .individual dd{ color:rgba(0, 0, 0, 0.54); } transform:translateX(0) display:inline-block; } margin-bottom:0; border-bottom-color:transparent -webkit-align-self:center; width:100% In the 1930's, there was a major shift in archtop design from round soundholes to F-holes, and the pickups and florentine cutaway were added in the 1950's. content:none display:none } } background-color:#ffffff; padding:0; .post-share-buttons{ The L-4’s top changed radically in 1935 when, under the direction of the company’s famed designer Lloyd Loar, the round sound hole was replaced by a pair of f-holes to enhance tone and projection. display:-webkit-flex; .svg-icon-24-button,.touch-icon-button{ --> right:0 color:#000000; .subscribe-popup h3{ color:#000000; Pre-Owned. } } .snippet-container,.snippet-fade{ -webkit-animation-duration:.3s; } .subscribe-popup h3{ margin-right:.5em position:relative; margin:8px 0 0 0

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